Long takes, still camera and minimal dialogue. It’s all a bit Tarkovsky, but left me asking what and why, which generally isn’t the case with the Russian director, who is clearly a massive influence here. It has also has a definite Western vibe (yet another in 2015 – see here for others) and is framed like images on those View-Masters we had as children.
This film was on the most anticipated list, but left me disappointed. I wonder if Viggo Mortensen thought this was the film he was actually making?