Wonder Woman

A lot of good things about this, even though I didn’t love it quite as much as others obviously have.

The opening section is one I loved. The colours and action put me in mind of Christopher Reeve’s Superman, and took me back to my childhood. The training sequences set up Diana’s combat ability for future events, showing us that she hasn’t just inherited a range of superpowers, but she has also worked damned hard to be able to fight with such skill. We learn about her inherent belief in right and wrong, which underpins her choices later in the story. And we learn the backstory to her community via a really creative exposition sequence in which, for once, the voice over didn’t get in the way.

The second act has a good mix of cultural commentary (on women’s position in the early 20th century, on the rights and wrongs of war) and action, and the sequence in which Diana climbs out of the trench and into the battle is outstanding. Her naïveté is both comical and understandable, in the same way that Thor is – their interest in this new world and the trials they face to comprehend it and assimilate are charming, funny and genuine.

But the third act is where everything began to fall apart. The colours darkened, the Big Bad is revealed, and the showdown reverts to DC mayhem *yawn*. Even before this, I’ll admit to struggling with the relationship between Chris Pine’s Steve Trevor and Diana – something about it just didn’t convince me, and I think on reflection it was Pine, or the writing of his character at least. I haven’t seen him in too many things, but I am a Star Trek aficionado and think he was far too Kirk most of the time. And by the time we reached the finale, all that “I believe in love” stuff had me cringing.

But I adore Gal Gadot, and I love what she’s doing with this character, and this is definitely going to be rewatched.

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